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Release date: 04-05-1998 (originally recored in 1961) 1998 German Speakers Corner limited LP edition pressed on 180gram Virgin VINYL, originally recored in 1961 -the first presents a rich potpourri of types of Spanish songs. FaurĂ©: “PellĂ©as et MĂ©lisande“, “PĂ©nĂ©lope“ (Prelude), “Masques et bergamasques“ / Debussy: Petite Suite – Orchestre de la Suisse Romande conducted by Ernest Ansermet. Stickered & Sealed in picture sleeve. Decca SXL-2303. Tracks: 01. EvocaciĂłn (Iberia) 02. El Corpus en Sevilla (Iberia) 03. Triana (Iberia) 04. El Puerto (Iberia) 05. El AlbaicĂn (Iberia) 06. ExaltaciĂłn (Fantásticas) 07. Ensueño (Fantásticas) 08. Orgia (Fantásticas) AlbĂ©niz: “Iberia” / Turina: Danzas fantásticas - Orchestre de la Suisse Romande conducted by Ernest Ansermet As in numerous other works by Spanish composers, Isaac AlbĂ©niz’s aim in his Iberia Suite was to portray the landscape and express the zest for life which is so abundant in southern countries. Infused with folkmusic elements, the suite is introduced by the dancelike EvocaciĂłn which vividly evokes a picture of Iberia. The lush, extravagant harmonies and the stark contrasts of the dynamics in particular – from the softest pianissimo to the extreme fortissimo – certainly whet one’s appetite. Don’t worry – Spain has a lot to offer! The next movement, El Corpus en Sevilla transports us to Andalusia where a solemn procession is taking place to celebrate the feast of Corpus Christi. This is followed by a sparkling Triana in which the various complex and brilliant rhythms of the national dances AlmerĂa, Rondeña and Fandango are ingeniously combined. And the two movements El puerto and El AlbaicĂn are no less exciting: the first presents a rich potpourri of types of Spanish songs, while the second – held in the minor key – conjures up a picture of Granada’s gypsy quarter. Turina’s Danzas fantásticas are noted for their sumptuous orchestration and marked rhythms. A better choice to round off this first-class recording, dedicated to Spanish tradition, is almost impossible to imagine. Recording: Mai 1960 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker
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