Bon Iver
Bon Iver

  1 x LP   standard   33⅓rpm     Grammy Awards Best Alternative Music Album=gatefold    + bonus download

2011 EU issue on stanadrd LP+ download-Bon Iver's Bon Iver is Justin Vernon returning to former haunts with a new spirit. with "Holocene," "Beth/Rest,"Minnesota Wi." The reprises are there – solitude, quietude, hope and desperation compressed –...

Label:  Jagjaguwar 
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Release date 16-06-2011

2011 EU issue on stanadrd LP+ download  -Bon Iver's Bon Iver is Justin Vernon returning to former haunts with a new spirit. hits "Holocene," "Beth/Rest,"Minnesota Wi." The reprises are there – solitude, quietude, hope and desperation compressed – but always a rhythm arises, a pulse vivified by gratitude and grace notes. The winter, the legend, has faded to just that, and this is the new momentary present. The icicles have dropped, rising up again as grass.

  When it came to recording the follow up to 'For Emma', Justin Vernon headed to his hometown of Eau Claire. 'Bon Iver' was recorded and mixed at April Base Studios, a remodeled veterinarian's clinic located in rural Fall Creek, Wisconsin. The creation of 'Bon Iver' was not solely down to Vernon. On the track 'Beth/Rest' and throughout the album, we hear the pedal steel of Greg Leisz [Lucinda Williams, Bill Frisell], the uniquely layered low end of Colin Stetson's [Tom Waits, Arcade Fire] saxophones, the riffing of Mike Lewis' [Happy Apple, Andrew Bird] altos and tenors, and the lush horns of C.J. Camerieri [Rufus Wainwright, Sufjan Stevens]. Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan contributed vocals, drums and production, Rob Moose [Antony and the Johnsons, The National] helped with arranging and added strings, and fellow members of Volcano Choir. 'Bon Iver' is Justin Vernon returning to former haunts with a new spirit. The reprises are there – solitude, quietude and hope – but always a rhythm arises, a pulse vivified by gratitude and grace notes, some as bright as a bicycle bell. The winter, the myth, has faded to just that, and this is the new momentary present)


2012 Grammy Awards Best Alternative Music Album

The album artwork for Bon Iver’s doubly eponymous sophomore album was painted by Gregory Euclide, a Minnesota contemporary artist and teacher.

Tracks:
A1     Perth
A2     Minnesota, WI
A3     Holocene
A4     Towers
A5     Michicant

B1     Hinnom, TX
B2     Wash.
B3     Calgary
B4     Lisbon, OH
B5     Beth/Rest

Jag Jaguwar comments:

First it was For Emma, Forever Ago. The soul in a refraction of icicles. A moment hanging like breath on air. And yet life – even still life – is not still. The story is not a story if it does not unravel. Your eyes you may cast backward, but the heart is locked in the chest and must beat forever forward. Bon Iver, Bon Iver is the frozen beast pressing upward from a loosening earth, one ear cocked to the echo of the ghost choir still singing, the other craving the martial call of drums tumbling, of thrum and wheeze. The desolation smoke has dissipated, cut with strips of brass. Celebration will not be denied, the cabinet cannot contain the rattle, there is meat on the bones.

It's there right away, in the thicker-stringed guitar and military snare of "Perth," and "Minnesota, WI." Anyone who had a single listen to For Emma will peg Justin Vernon's vocals immediately, but there is a sturdiness – an insistence – to Bon Iver, Bon Iver that allows him to escape the cabin in the woods without burning it to the ground. "Holocene" opens with simple finger-picking. The vocal is regret spun hollow and strung on a wire. Then the snare-beat breaks and drives us forward and up and up until we fly silent through the black-star night, our wreckage in view whole atmospheres below. The vocals in "Hinnom, TX" ease to the muffled depths, while the instrumentation remains sparse and cosmic. "Calgary" is a worship song to everything For Emma mourned, and at the point in the final track "Beth/Rest" when Vernon sings, "I ain't livin' in the dark no more" it is clear he isn't dancing in the sunshine, but rather shading toward a new light.

"Bon Iver is often equated with just me," says Vernon, "but you are who surrounds you, and for Bon Iver, Bon Iver I wanted to invite those voices as musical catalysts." Thus on the track "Beth/Rest" and throughout the album, we hear the pedal steel of Greg Leisz (Lucinda Williams, Bill Frisell), the uniquely layered low end of Colin Stetson's (Tom Waits, Arcade Fire) saxophones, the riffing of Mike Lewis' (Happy Apple, Andrew Bird) altos and tenors, and the lush horns of C.J. Camerieri (Rufus Wainwright, Sufjan Stevens). Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan contributed vocals, drums and production, Rob Moose (Antony and the Johnsons, The National) helped with arranging and added strings, and fellow members of Volcano Choir, Jim Schoenecker and Tom Wincek provided processing.

Bon Iver, Bon Iver was recorded and mixed at April Base Studios, a remodeled veterinarian's clinic located in rural Fall Creek, Wisconsin. The main recording space is constructed over a defunct indoor pool attached to the clinic. "It's an unique space and destination; it's our home out here," says Vernon, who purchased the structure with his brother in late 2008 with the sole intention of converting it into his ideal recording studio. "It's been a wonderful freedom, working in a place we built. It's also only three miles from the house I grew up in, and just ten minutes from the bar where my parents met." The creation of Bon Iver, Bon Iver was a three-year process, and Vernon says the completion of the studio paralleled the completion of the album. "I was writing and recording in the windows of time snatched between tours in support of For Emma," he says. "When I finally came home to hunker down for a solid stretch there was a feeling of solid ground and an opportunity for liberation waiting in the space for me."

In the absence of solid ground, the whirlwind becomes a whirlpool, and Bon Iver, Bon Iver is Justin Vernon returning to former haunts with a new spirit. The reprises are there – solitude, quietude, hope and desperation compressed – but always a rhythm arises, a pulse vivified by gratitude and grace notes, some as bright as a bicycle bell. The winter, the legend, has faded to just that, and this is the new momentary present. The icicles have dropped, rising up again as grass.

- Michael Perry
Discs: 1
Drager(LP,EP,12,7,CD): LP
Qual(120grs,150grs,180grs): standard
Speed(33,45): 33
Extra info: Grammy Awards Best Alternative Music Album=gatefold
Bonus(cd,single,download): bonus download
Label: Jagjaguwar
This release: 2011
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