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Release date: 09-05-2011(originally record in 1989) 2011 Us 10-track vinyl LP,pressing on 180gram vinyl. 1989 Vocal Tour de Force Mastered by Legendary Engineer Steve Hoffman. The Sensual World became Bush's biggest-selling album and received a Grammy nomination for Best Alternative Album. Now, experience it like never before on this amazing-sounding analog reissue, remastered from the original master tapes by legendary engineer Steve Hoffman.=Audio Fidelity Reissue Sports Added Dimensionality, Boost in Low-Frequency Energy=sealed = Tracks: 01. The Sensual World 02. Love And Anger 03. The Fog 04. Reaching Out 05. Heads We're Dancing 06. Deeper Understanding 07. Between A Man And A Woman 08. Never Be Mine 09. Rocket's Tail 10. This Woman's Work Aptly titled and absorbingly ambitious, The Sensual World is Kate Bush's sixth studio album. She took four years to complete the 1989 release and the results are worth it; the music is deep, lush, atmospheric and aural. The songs elevate sexuality, romance, politics and emotions to an altogether higher, more literate, more mystical, and more poetic level. Apart from the title tune, the track's include "Never Be Mine," featuring the Trio Bulgarka's remarkable vocal style, a beauty not heard in popular music before; "Rocket's Tail" with stunning guitar work by David Gilmour of Pink Floyd; and the classic "This Woman's Work," from the popular 1988 movie She's Having a Baby. The Sensual World became Bush's biggest-selling album and received a Grammy nomination for Best Alternative Album. Now, experience it like never before on this amazing-sounding analog reissue, remastered from the original master tapes by legendary engineer Steve Hoffman. "Added dimensionality gives the music and production the feel of coming across like a good surround sound mix that, of course, you only need two channels to hear. The massive amount of low-frequency energy handily surpasses that on the original, lending real weight to the synth bass lines present on a majority of tracks. And, David Gilmour’s guitar solo on “Rocket’s Tail” claims more energy than the original." --Jeff Dorgay, TONE Audio, Issue 34
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