Los Lobos
Kiko = MFSL=180g vinyl=

  1 x LP   180grs   33⅓rpm   

( 1992 ) 2014 US exclusive limited edition GAIN 2 Ultra Analog Half Speed Mastered LP pressed on 180gram VIRGIN VINYL=Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks. Glori...

Label:  Mobiel Fidelity Sound Lab 
Availability:   Out of Stock
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Release date: 04-05-2014 (Originally released in 1992)

2014 US exclusive limited edition GAIN 2 Ultra Analog Half Speed Mastered LP pressed on 180gram VIRGIN VINYL=Distinguished Band's Ambitious 1992 Album Stands as Peak Moment in a Career Filled With High-Water Marks. Gloriously Multidimensional Sonics Yield Colorful Quilt of Textures and Subtleties: Mobile Fidelity Reissue Exposes Use of Studio as an Instrument
Rollicking Blues, Cabaret Jazz, Otherworldly Lullabies, Snarling Rock, and More Fill Landmark Set. Seen from any angle, Kiko is a landmark recording.

Tracks:
A1     Dream In Blue
A2     Wake Up Dolores
A3     Angels With Dirty Faces
A4     That Train Don't Stop Here
A5     Kiko And The Lavender Moon
A6     Saint Behind The Glass
A7     Reva's House
A8     When The Circus Comes

B1     Arizona Skies
B2     Short Side Of Nothing
B3     Two Janes
B4     Wicked Rain     
B5     Whiskey Trail     
B6     Just A Man     
B7     Peacefull Perception
B8     Rio De Tenampa


Only a few years removed from breaking through with their cover of Ritchie Valens' "La Bamba," Los Lobos turned even more heads with Kiko, a beautifully textured and flawlessly executed musical statement that reveals the group taking on ambitious musical challenges and surmounting every one. In pairing with producer Mitchell Froom, the band yielded this critically acclaimed 1992 set that remains the apex of its distinguished career.

Mastered from original master tapes, Mobile Fidelity's 180g LP version of Kiko presents the record in previously unimaginable fidelity. In particular, Froom's exquisite production can now be experienced in full relief, with the vintage tape-loop keyboards and spare arrangements yielding an ethereal feel, otherworldly ambience, and colorful finish that complement the ace playing. The subtleties of the richly detailed backdrops - splashed with distortion, feedback, random sound effects, sonorous horns, ominous chants, delicately plucked harps - are greatly enhanced, turning the multifaceted Kiko into the aural equivalent of a sensational IMAX presentation.

The material, too, ravishes the senses. In Rolling Stone's original review of Kiko, David Okamoto remarks "the music sounds more created than contrived, thanks to the compassionate touch of the group's main songwriters, singer-guitarist David Hidalgo and drummer Louis Pérez." Indeed, the Los Angeles ensemble tackles tough-minded social issues such as alcoholism, suicide, abuse, homelessness, death, and rape without coming across as preachy or melodramatic. The record's power relates to that possessed by the most timeless albums - the emotional and metaphysical capacities to transcend problems, overcome adversity, and deliver catharsis.

Spanning rollicking blues and dreamy pop balladry to snarling rock and traditional Mexican-inspired waltzes, Kiko seemingly knows no bounds. Lullabies such as "Saint Behind the Glass" claim mellifluous elegance while the cabaret-laced jazz of work like "Kiko and the Lavender Moon" glows with a dark majesty, thanks to both the skilled performance and Froom's illuminating production. Los Lobos seldom, if ever, drifted so far outside of the roots-rock box as they do on Kiko. And yet, the collective's binding connection to folklore remains in tact. Native American, Hispanic, and Catholic elements surface in the lyrics and arrangements, the characteristics expressing a multicultural reach that parallels the songs' multidimensional construction.

And still, it remains impossible to ignore the use of the studio as the record's secret-weapon instrument. Imaginative tricks such as noise gates, filters, and psychedelic devices help establish a surrealism that never lets up. Neither does Kiko.

Credits:
    Acoustic Guitar, Electric Guitar, Vocals – Cesar Rosas
    Art Direction – Tom Recchion
    Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Flute, Melodica, Harmonica, Organ, Piano, Synthesizer, Percussion – Steve Berlin
    Bass [Fender 5-string Jazz Bass, 4-string Precision, Godin Fretless], Guitar [Ron], Backing Vocals – Conrad R. Lozano*
    Drums – Pete Thomas
    Drums, Vocals, Guitar, Percussion, Other [Couch & Phone], Design – Louie Pérez*
    Edited By [Digital] – Dave Collins
    Engineer [Assistant] – John Paterno
    Guitar, Accordion, Violin, Banjo, Piano, Percussion, Vocals – David Hidalgo
    Mastered By – Bob Ludwig
    Other [Make Up] – Cloutier, Osmundson, Wendy
    Other [Set & Construction] – Kelly Ray
    Other [Stylists] – El-Garaje, Linda Gamboa, Victor Martinez
    Photography By – Dennis Keeley
    Producer – Los Lobos, Mitchell Froom
    Technician [Guitar] – Brian Hunt

Discs: 1
Drager(LP,EP,12,7,CD): LP
Qual(120grs,150grs,180grs): 180grs
Speed(33,45): 33
Label: Mobiel Fidelity Sound Lab
Originally released: 1992
This release: 2014
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