Pretenders
Pretenders = MFSL=Numbered 180g=

  1 x LP   180grs   33⅓rpm   

2016 US MOFI reissue on 180g LP LIMITED =Alternative rockers, led by Chrissie Hynde, whose melodic, intelligent sound straddled punk's rawness and the ear candy of new wave.
The milieu the Pretenders create on their groundbreaking debut didn't exist whe

Label:  Mobile Fidelity Sound Lab 
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Release date:13-09-2016(originally released in 1980)
 
2016 US MOFI reissue on 180g LP=Pretenders' Self-Titled Record Moves Fast With Biting Hooks, Soulful Melodies, and Guitar-Charged Toughness

The milieu the Pretenders create on their groundbreaking debut didn't exist when the album came out in early 1980. Such is the magnitude of originality, creativity, and nerve the band captured on a record that captivated each side of the Atlantic and both upended and advanced tradition. The no-nonsense set also announced the arrival of the inimitable Chrissie Hynde, one of the greatest singer-songwriters in rock history, gender be damned. Equally significant, the album remains just one of two studio efforts featuring the original members before tragedy ended the lives of guitarist James Honeyman-Scott and bassist Pete Farndon.

Originally recorded live in the studio at high volume levels by producer Chris Thomas, the record on this vinyl edition boasts added extension, sharper imaging, multi-dimensional soundstaging, and a crispness that practically places the Pretenders onstage in your room. Replete with detail and nuance – particularly, Hynde's singing and Honeyman-Scott's terrific array of hovering chords, colorful palettes, and inventive effects – this is a record that rewards repeat listening and full-bloom playback.

Cited by Rolling Stone as the 155th Greatest Album of All Time, Pretenders took shape via the vision of the Ohio-born Hynde and chemistry she achieved with three Brits circling the same punk orbit – one that saw the frontwoman work with the Sex Pistols and briefly embark on a serious music-criticism career. Indeed, while Hynde is the unquestionable leader of the gang, the Pretenders are the sum of their total parts, displaying rapport and interaction that never came together more convincingly, naturally, or emotionally as it does on their debut. Honeyman-Scott's ringing arpeggio tones seamlessly combine with Hynde's no-muss sass, sensuality, and soulfulness. Similarly, the rhythm section contributes considerable thump and classically styled explosiveness. Together, the four sound like no other band.

Such distinctiveness helps explain why Pretenders remains as contemporary now as it did 30-odd years ago.Schooled in the era's raw, unfiltered English punk yet equally versed in rockabilly, new-wave pop, and British Invasion rock, the band orchestrates songs that overflow with keen hooks, sexual swagger, and ear-catching melodies. Courtesy of the aggressive guitars and leather-tough cool, Pretendersmoves fast, Hynde's assertive deliveries and take-notice lyrics jolting the senses with a lethal mix of sophistication, toughness, tenderness, rebelliousness, and romance.

With Honeyman-Scott playing the Richards to her Jagger, Hynde operates on pure instinct. She throws down the gauntlet on the corrugated pulse of "Precious," proves she can hang with even the roughest boys on the energetic bounce of "Tattooed Love Boys," and, on the smash hit "Brass In Pocket," spouts self-aggrandizing claims that she would back up for decades to come. Yet Hynde and the Pretenders' appeal goes much deeper than brazenness. Akin to her guitarist's unconventional phasing and treated effects, the singer never abides by rules or stereotypes as she balances the gutsiness and attitude with sensitivity ("Lovers of Today"), compassion (the jangling "Stop Your Stopping"), and vulnerability ("Kid").

Pretenders is not only one of the most impressive album debuts in history, it's one of the most essential records, independent of genre or timing, ever made. Hear this energetic music in the finest-possible fidelity it's ever enjoyed.

 
Tracks:
A1 Precious
A2 The Phone Call
A3 Up The Neck
A4 Tattooed Love Boys
A5 Space Invader
A6 The Wait
 
B1 Stop Your Sobbing
B2 Kid
B3 Private Life
B4 Brass In Pocket
B5 Lovers Of Today
B6 Mystery Achievement
 
Few rock & roll records rock as hard or with as much originality as the Pretenders' eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude. Although Chrissie Hynde establishes herself as a forceful and distinctively feminine songwriter, the record isn't a singer/songwriter's tour de force -- it's a rock & roll album, powered by a unique and aggressive band. Guitarist James Honeyman-Scott never plays conventional riffs or leads, and his phased, treated guitar gives new dimension to the pounding rhythms of "Precious," "Tattooed Love Boys," "Up the Neck," and "The Wait," as well as the more measured pop of "Kid," "Brass in Pocket," and "Mystery Achievement." He provides the perfect backing for Hynde and her tough, sexy swagger. Hynde doesn't fit into any conventional female rock stereotype, and neither do her songs, alternately displaying a steely exterior or a disarming emotional vulnerability. It's a deep, rewarding record, whose primary virtue is its sheer energy. Pretenders moves faster and harder than most rock records, delivering an endless series of melodies, hooks, and infectious rhythms in its 12 songs. Few albums, let alone debuts, are ever this astonishingly addictive.
 
Schooled in the era's raw, unfiltered English punk yet equally versed in rockabilly, new-wave pop, and British Invasion rock, the band orchestrates songs that overflow with keen hooks, sexual swagger, and ear-catching melodies. Courtesy of the aggressive guitars and leather-tough cool, Pretenders moves fast, Hynde's assertive deliveries and take-notice lyrics jolting the senses with a lethal mix of sophistication, toughness, tenderness, rebelliousness, and romance.
 
With Honeyman-Scott playing the Richards to her Jagger, Hynde operates on pure instinct. She throws down the gauntlet on the corrugated pulse of "Precious," proves she can hang with even the roughest boys on the energetic bounce of "Tattooed Love Boys," and, on the smash hit "Brass In Pocket," spouts self-aggrandizing claims that she would back up for decades to come. Yet Hynde and the Pretenders' appeal goes much deeper than brazenness. Akin to her guitarist's unconventional phasing and treated effects, the singer never abides by rules or stereotypes as she balances the gutsiness and attitude with sensitivity ("Lovers of Today"), compassion (the jangling "Stop Your Stopping"), and vulnerability ("Kid").
 
 
In correlation with the release of The Pretenders' Vinyl Collection 1979-1999, Demon Records is offering eight individual vinyl issues of the band's albums from the same period including Pretenders (1980), Pretenders II (1981), Learning to Crawl (1984), Get Close (1986), Packed! (1990), Last of the Independents (1994), The Isle of View (2LP) (1995) and Viva El Amor! (1999). The Isle Of View and Viva El Amor! are appearing on the format for the first time. All of the albums were cut from the latest digital remasters and are pressed on high-quality 180-gram heavyweight black vinyl.
Discs: 1
Drager(LP,EP,12,7,CD): LP
Qual(120grs,150grs,180grs): 180grs
Speed(33,45): 33
Label: Mobile Fidelity Sound Lab
Originally released: 1980
This release: 2016
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