Stan Getz Getz / Gilberto ( ft. Antonio Carlos Jobim ) ( reissue vinyl LP )

Release date: 20-10-2014 (Originally released in 1964)

2014 EU reissue vinyl LP - Truly classic Verve title that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim

Tracks:
A1 The Girl From Ipanema [Vocals – Astrud Gilberto]
A2 Doralice
A3 Para Machuchar Meu Coração (To Hurt My Heart)
A4 Desafinado

B1 Corcovado [Vocals [Introduction] – Astrud Gilberto]  Jobim
B2 Só Danço Samba (Jazz Samba)
B3 O Grande Amor
B4 Vivo Sonhando

Credits:
 Stan Getz, tenor saxophone
 Joao Gilberto, guitar, vocals
 Astrud Gilberto, vocals
 Antonio Carlos Jobim, guitar, piano
 Milton Banana, drums
 Tommy Williams, bass

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.